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mailMusic: videos & sound samples


Videos

The first three videos were filmed at De Oude Remise (in the upper northeast of The Netherlands) during the last gig of Ember’s december 2007 tour. The fourth video, a duet with Matthijs Spek, was filmed in Utrecht in april 2008.
 
video1: with emberSoil
On this groovy song, written by Emily Williams, I am playing a drumset rhythm on my Esperanto Kit with brushes.
video 2: with emberCompilation
A nice scope on Embers material: a traditional Celtic jig, parts of Far From Home, Free Man and Nancy No. Besides playing the Esperanto Kit with brushes and hands, I’m using a set of tuned bells made by Pete Engelhart.
video 3: with emberSolo
Opening the second set with an improvisation on two tuned instruments: the sansula thumbpiano and the tonga slitdrum.
video 4:  with matthijs spekDance
A duet with my great friend, steelstring guitar player Matthijs Spek, who composed this track for his 2nd album Beyond. I am playing my udu drum built by Frank Giorgini.

 

Sound samples

Ember: Open All The Doors
In the summer of 2007 Ember (Emily Williams and Rebecca Sullivan) and I recorded the album Open All The Doors with producer/multi-instrumentalist Dylan Fowler at his Felin Fach Studio in Wales. Click here for more info on the album or to order a copy.

Storm

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In this part of the song I am playing a Turkish bass darbuka, OM chimeladder, nolopipe (overtone whistle), cymbal, African nutshaker and a pair of caxixis (Brazilian basket shakers).

Look In Your Eyes

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For this beautiful ballad, written by Rebecca Sullivan, I made a melodic ‘loop’ using a tuned tonga drum and a sansula thumbpiano. After that I recorded a shaker to add extra swing. I love to keep things open: to play only that which enhances the song.

A Murder Song

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This track is oldtime storytelling in the best folk tradition. I am playing the Esperanto Kit with my hands to create the main groove, inspired by the rhythms of New Orleans. In the solo section I bring in the Brazilian berimbau to enhance the mood.

 

XL Jazz: the music of Hermeto Pascoal
El Magico (The Sorcerer) is the name the Brazilians have given to Hermeto Pascoal (1936), a genius in composing, arranging and playing. He writes an average of two pieces a day, has composed music for choirs, orchestras, big bands and small groups and plays about 15 instruments. In 2004 I participated in the XL Jazz Project, where we played arrangements of some of his work with a large ensemble. An incredible experience.

Aquela Coisa

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During the bass solo I add some colors first. When the energy goes up, I add to the groove by playing a pattern with sticks on two tambourines: one with steel jingles and another with dimpled brass ones. Later I do the same when the horns come in. Patterns like these usually come to me intuitively; it enters my mind when I hear the music.

 

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